<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/"><channel><title>Redemption on NoBakwas.com</title><link>https://nobakwas.com/tags/redemption/</link><description>Recent content in Redemption on NoBakwas.com</description><image><title>NoBakwas.com</title><url>https://nobakwas.com/images/cover.png</url><link>https://nobakwas.com/images/cover.png</link></image><generator>Hugo -- 0.156.0</generator><language>en-us</language><lastBuildDate>Sun, 14 Sep 2025 14:03:28 +0530</lastBuildDate><atom:link href="https://nobakwas.com/tags/redemption/index.xml" rel="self" type="application/rss+xml"/><item><title>Echoes of the Past: the Goat and Hidden Secrets</title><link>https://nobakwas.com/posts/drama/echoes-of-the-past/</link><pubDate>Sun, 14 Sep 2025 14:03:28 +0530</pubDate><guid>https://nobakwas.com/posts/drama/echoes-of-the-past/</guid><description>Saket built his whole life on the night he ran away from his village. Twenty-three years later, an old friend knocked on his door with the truth about why he was allowed to run.</description><content:encoded><![CDATA[<p>The tea had gone a little cold before Saket finally started talking.</p>
<p>He had been quiet for a while — the particular kind of quiet that his wife Arti recognised, the kind that meant something was sitting just below the surface, deciding whether to come up. Mia was on the floor with her drawing book, not really drawing, just waiting. She was ten and she had learned that when her father got this look, the story that followed was usually worth waiting for.</p>
<p>&ldquo;When I was twenty-two,&rdquo; Saket said, &ldquo;I did something that could have ended everything before it started.&rdquo;</p>
<p>Mia set down her pencil.</p>
<p>Arti didn&rsquo;t say anything. She refilled her own cup and settled back.</p>
<hr>
<p>It had been the summer before the monsoon came late to Sapoinali — the year everything dried up early and the young men of the village had too much time and not enough sense. There were four of them, Saket and three others, and they had decided, in the specific way that hunger makes logic flexible, that what the occasion required was a feast.</p>
<p>The problem was money. There was none.</p>
<p>The solution they arrived at — and Saket was honest about the fact that it had been his idea — was Ramduaria&rsquo;s goat. Ramduaria kept the biggest goat in the village, a fat, bad-tempered animal that had always seemed vaguely smug about its own importance. In the logic of that particular night, borrowing it felt almost reasonable.</p>
<p>&ldquo;We waited until two in the morning,&rdquo; Saket said. &ldquo;Crept through the fields. No lights, no noise. We had actually got hold of it — rope around its neck — when it decided to make as much sound as it was physically capable of making.&rdquo;</p>
<p>Mia covered her mouth.</p>
<p>&ldquo;The whole village woke up.&rdquo;</p>
<p><img alt="A moonlit village path at night, narrow and flanked by trees" loading="lazy" src="/images/drama/thief_to_army_officer_1_20250914_13_pics_20250914_15/image1.jpg">
<em>The kind of night that seemed perfect for a plan — until it wasn&rsquo;t.</em></p>
<p>They had run. Not fast enough. By the time the panchayat assembled the next morning, Saket had been named as the one who thought of it, and the judgement was not generous — fifty lashes and a two-thousand-rupee fine, neither of which his family could absorb.</p>
<p>He sat through the first part of the proceedings with the calm of a man who has not yet decided what he is going to do. Then he asked, politely, if he could be excused for a minute. A bio break. He had been holding it.</p>
<p>They let him go.</p>
<p>He walked to the edge of the courtyard at a normal pace. Then he ran — through the mustard field behind the sarpanch&rsquo;s house, across the dry riverbed, up the slope to the main road. He didn&rsquo;t stop until he saw the headlights of a bus coming from the Patna direction, and he flagged it down with both arms and got on without knowing where it was going.</p>
<p>It was going to the city. That was enough.</p>
<p>He had fifty rupees. No plan. Six weeks later he was at an army recruitment office. Four months after that, he had cleared the selection.</p>
<p>&ldquo;Sapoinali,&rdquo; he said. &ldquo;I never went back.&rdquo;</p>
<p>Arti had heard parts of this before. Not the fifty lashes, not the exact arithmetic of the shame. She looked at him over her cup without saying anything.</p>
<p>&ldquo;The army fixed things,&rdquo; Saket said. &ldquo;Gave me something to be instead of someone running away.&rdquo;</p>
<p>Mia was about to ask something when there was a knock at the door.</p>
<p>Not a bell. A knock. Three slow, deliberate ones.</p>
<hr>
<p>The man in the corridor was older than Saket remembered, thinner, with the look of someone who had been travelling for several days without sleeping well through any of them.</p>
<p>But the face was unmistakable.</p>
<p>&ldquo;Devendra,&rdquo; Saket said.</p>
<p>Devendra stepped into the light. He glanced past Saket at Arti and Mia, then back. &ldquo;I&rsquo;ve been looking for you for a while,&rdquo; he said. &ldquo;There are things you don&rsquo;t know about that night. About what really happened.&rdquo; A pause. &ldquo;About Ramduaria.&rdquo;</p>
<p>Saket stepped aside to let him in.</p>
<hr>
<p><img alt="The entrance of an apartment in a Delhi residential building at night" loading="lazy" src="/images/drama/thief_to_army_officer_1_20250914_13_pics_20250914_15/image2.jpg">
<em>Some doors you open not knowing what side of the past is standing on the other side.</em></p>
<p>They sat at the dining table — Saket, Arti, Devendra — while Mia drifted off to sleep on the sofa under a thin cotton sheet. Fresh tea. The clock on the wall marking a quarter past ten.</p>
<p>Devendra wrapped his hands around his cup and started at the beginning.</p>
<p>&ldquo;You thought the whole village chased you that night,&rdquo; he said. &ldquo;They did. But Ramduaria didn&rsquo;t.&rdquo;</p>
<p>Saket looked up.</p>
<p>&ldquo;He woke up, same as everyone. Came out to see what the noise was. Saw you and the others running across his field with the rope still trailing.&rdquo; Devendra paused. &ldquo;And then he went back inside and bolted his door.&rdquo;</p>
<p>Saket set down his cup.</p>
<p>&ldquo;He never joined the chase. Never filed anything with the panchayat himself — they called him to give testimony and he said he hadn&rsquo;t seen clearly in the dark, that he couldn&rsquo;t be sure who it was. It was the others who named you, not him.&rdquo;</p>
<p>The room was quiet. Outside, a dog was barking somewhere down the lane, insistent and then gone.</p>
<p>&ldquo;Why?&rdquo; Saket said finally.</p>
<p>Devendra leaned back. &ldquo;He knew your father. Before your father died — you were maybe fourteen, fifteen — your father had lent Ramduaria money. A real amount. Enough to keep his family through a bad season when the crops failed two years running. He never told anyone. Your father didn&rsquo;t want it known. And Ramduaria never forgot it.&rdquo;</p>
<p>Saket had no memory of this. His father had died when he was sixteen, and the family finances had always been a closed subject.</p>
<p>&ldquo;He watched you grow up,&rdquo; Devendra said. &ldquo;He knew you were the one who led that night. He also knew you had your degree, no job, no future in the village. He used to say — I heard him say it myself more than once — <em>that boy needs a reason to leave, not a reason to stay.</em>&rdquo;</p>
<p>Arti made a small sound. Not quite a word.</p>
<p>&ldquo;So he gave you one,&rdquo; Devendra said. &ldquo;He let the panchayat go far enough to scare you properly. Then he made sure there was a gap in the courtyard at the right moment. The man assigned to stand near the back boundary that morning — Ramduaria&rsquo;s nephew. He was told to look the other way.&rdquo;</p>
<p>Saket stared at the table.</p>
<p>Twenty-three years. The army. The postings — Sikkim, Rajasthan, the long Kashmir winter of 2009. Arti. Mia. This flat in Delhi with its marigolds in the window box. He had carried the story of his escape as one carries a private shame — the time he panicked, the time he ran instead of facing what he had done. It had become, quietly, the foundation of everything — the reason he had always worked harder than necessary, always needed to prove that the man who jumped on that bus was not the whole story.</p>
<p>He had been running from the wrong thing for twenty-three years.</p>
<p>&ldquo;Ramduaria,&rdquo; Saket said. &ldquo;Is he—&rdquo;</p>
<p>&ldquo;He died two years ago,&rdquo; Devendra said. &ldquo;Peacefully. His son found a letter in his things after. Addressed to you, but no address — he didn&rsquo;t know where you were. His son asked me to find you if I could.&rdquo; He reached into the inside pocket of his jacket and put an envelope on the table between them.</p>
<p>It was a plain brown envelope, the kind you could buy at any post office. Saket&rsquo;s name was written on the front in a hand that was careful and slightly crooked, the letters of a man who had learned to write later in life.</p>
<p>Saket looked at it for a long moment.</p>
<p>Then he picked it up, turned it over, and opened it.</p>
<hr>
<p>The letter was two pages, written in Hindi, in the same careful hand.</p>
<p>It began: <em>Beta Saket — I don&rsquo;t know if this will ever reach you. But some things need to be said even when there is no one certain to hear them.</em></p>
<p>Saket read it slowly. Arti did not ask what it said. Devendra had already seen it — he was looking at the window.</p>
<p>The letter described his father, mostly. The kind of man he was. The season the rain failed. How the money had come without conditions and without any expectation of return, wrapped in an old cloth and left at the door before sunrise. <em>Your father said — you do not lend to your neighbour. You give. You just call it a loan so they can keep their pride.</em></p>
<p>The last paragraph was short.</p>
<p><em>I hope the city gave you what the village couldn&rsquo;t. I hope you built something. You had your father&rsquo;s quality — you just needed space to use it. I am sorry the goat was involved. He was a difficult animal and I was not unhappy to have a reason to be rid of him for one evening.</em></p>
<p>Below the signature, in the margin, as if added later: <em>Do not feel guilty about running. Sometimes running in the right direction is the bravest thing.</em></p>
<hr>
<p>Saket folded the letter and held it in both hands.</p>
<p>Mia was asleep on the sofa. The clock said ten forty. Somewhere down the street the night had gone quiet.</p>
<p>&ldquo;He sold the goat a month after,&rdquo; Devendra said, with something close to a smile. &ldquo;Said it was bad luck.&rdquo;</p>
<p>Saket laughed — a short, surprised sound, the kind that comes out before you decide whether to allow it.</p>
<p>Arti reached across the table and put her hand over his.</p>
<p>He had spent twenty-three years believing he had escaped by his own nerve. It was a good story. It had kept him moving, kept him proving things to himself at every posting, every promotion, every 5 AM run when he didn&rsquo;t have to.</p>
<p>The real story was different. The real story was a man who had decided quietly, in the middle of the night, that a boy with potential was worth more than a goat and a fine and an old debt settled in shame.</p>
<p>He thought about that for a while.</p>
<p>Then he got up to make fresh tea, and asked Devendra if he had somewhere to sleep, because the spare room was small but the mattress was decent, and there was no reason the man needed to take a train back tonight.</p>
<p>Devendra said that would be fine.</p>
<p>It was past eleven when they finally stopped talking. Outside, the city continued its indifferent business, and inside the small flat in Delhi, something that had been unfinished for twenty-three years quietly settled into place.</p>
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