<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:content="http://purl.org/rss/1.0/modules/content/"><channel><title>Family on NoBakwas.com</title><link>https://nobakwas.com/tags/family/</link><description>Recent content in Family on NoBakwas.com</description><image><title>NoBakwas.com</title><url>https://nobakwas.com/images/cover.png</url><link>https://nobakwas.com/images/cover.png</link></image><generator>Hugo -- 0.156.0</generator><language>en-us</language><lastBuildDate>Tue, 21 Apr 2026 09:00:00 +0530</lastBuildDate><atom:link href="https://nobakwas.com/tags/family/index.xml" rel="self" type="application/rss+xml"/><item><title>Eleven Years</title><link>https://nobakwas.com/posts/romance/eleven-years/</link><pubDate>Tue, 21 Apr 2026 09:00:00 +0530</pubDate><guid>https://nobakwas.com/posts/romance/eleven-years/</guid><description>Nandini had been rehearsing this conversation for eleven years. She had imagined every version of it — the anger, the silence, the tears. She had not imagined this.</description><content:encoded><![CDATA[<p>The right moment kept not arriving.</p>
<p>Her father had been making chai since six-thirty — a twenty-minute process involving the exact pressure on the ginger, the particular order of adding milk, a routine so unchanged in thirty years that Nandini could have done it with her eyes closed. She sat at the dining table with her phone face-down and watched him from the kitchen doorway and thought: not yet, not now, let him finish the chai first.</p>
<p>He brought two cups, sat across from her, and opened the newspaper to the sports page.</p>
<p>Not yet.</p>
<p>She had come home to Bhopal for the weekend ostensibly because it was her parents&rsquo; anniversary. This was true. It was also true that she had come home because she was thirty years old and she had been lying, softly and continuously, to the two people in the world she loved most, and she had decided on the train from Bangalore that she was done.</p>
<p>The chai was good. It was always good. Her father made it the same way every morning for thirty years — the same pressure on the ginger, the same order — and some mornings in Bangalore she would make herself a cup and it would taste almost right and she would stand at her kitchen counter with her eyes closed, working out what was missing.</p>
<p>She had never figured out what was missing.</p>
<hr>
<p>She had met Abhinav in the second year of engineering.</p>
<p>Not dramatically. He sat two rows behind her in the Signals and Systems lecture and asked to borrow a pen on the first day because his had stopped working, and she gave him one, and she did not think about it again until three weeks later when he returned the pen and she noticed it had been refilled. He had bought ink for a stranger&rsquo;s pen. She didn&rsquo;t say anything about it. She thought about it for two days.</p>
<p>That was how it had started. Not with the borrowed pen, but with the refilled ink.</p>
<p>By the end of the second year they had been to every chai stall within two kilometres of the campus. By the end of the third year she had changed his contact name in her phone to <em>Deepika</em> — a college friend&rsquo;s name, plausible, unquestionable — and felt, doing it, a small clean shame that she filed away alongside everything else she was filing away.</p>
<p>She told herself it was temporary. She would tell her parents soon. After graduation. After she had a job. After she was settled. After the timing was right.</p>
<p>The timing was never right. The years went by the way years do when you are busy and afraid — quickly, and all at once.</p>
<p><img alt="Two engineering students at a college canteen table in Bhopal — notes between them, chai glasses, neither looking at the notes" loading="lazy" src="/images/romance/eleven-years/college_canteen_flashback.png">
<em>The second year of engineering — the beginning of everything</em></p>
<hr>
<p>Abhinav&rsquo;s family was from Harda. His father had a small carpentry business. They were not poor — the business was steady, the house was pucca — but they were not Brahmin, and in Nandini&rsquo;s family, which had never said this out loud and therefore believed it had transcended it, this was the thing that could not be undone.</p>
<p>She knew this the way she knew a lot of things about her family: not from anything said directly, but from the particular frequency of their silences, the specific way her mother had once described a colleague&rsquo;s daughter&rsquo;s marriage — &ldquo;good match, same community, very sensible&rdquo; — with the emphasis landing on <em>same community</em> the way emphasis lands when it is doing more work than the sentence admits.</p>
<p>She had carried this knowledge for eleven years.</p>
<p>Abhinav never asked her to hurry. She never asked him why he didn&rsquo;t ask her to hurry. They had built, over eleven years, a life that fit entirely inside the space between what was real and what was admitted — a Bangalore flat they did not share, holidays logged as solo trips, his name in her phone still <em>Deepika</em> until three years ago when she changed it to his actual name and felt, doing it, not relief but a kind of defiance directed at no one.</p>
<p><img alt="A woman&rsquo;s hand holding a phone in the dark — the contact name &ldquo;Deepika&rdquo; on screen, thumb hovering" loading="lazy" src="/images/romance/eleven-years/phone_contact_deepika.png">
<em>Three years ago — a small act of defiance directed at no one</em></p>
<hr>
<p>Her father put down the newspaper. He picked up his chai and looked at her.</p>
<p>&ldquo;You&rsquo;re very quiet,&rdquo; he said.</p>
<p>&ldquo;I&rsquo;m always quiet in the morning.&rdquo;</p>
<p>&ldquo;You&rsquo;re more quiet than your usual quiet.&rdquo;</p>
<p>He was sixty-two. She had not been watching him age, exactly — she had been watching something else, the newspaper, the chai cup, the middle distance — but she noticed now, in the specific light of a Bhopal morning in April, that his hair had gone fully white in the last two years, and that he was reading the newspaper with his glasses on, which he had not been doing the last time she was home.</p>
<p>She put her cup down.</p>
<p>&ldquo;Papaji,&rdquo; she said. &ldquo;I need to tell you something.&rdquo;</p>
<p>He looked at her over his glasses. Not alarmed. Just — attentive.</p>
<p>She told him.</p>
<p>Not everything at once. She started with the beginning — the second year of engineering, the borrowed pen, the refilled ink — because she wanted him to understand that it had not been reckless or sudden, that it was not a thing that had happened to her, but a thing she had chosen, slowly and repeatedly, for eleven years. She told him about Abhinav&rsquo;s family, his father&rsquo;s business, Harda. She told him the part she had been most afraid to say: that Abhinav had been waiting, patiently, without complaint, for eleven years, and that this patience was one of the things she loved most about him and also the thing she felt the worst about every day.</p>
<p>She stopped.</p>
<p>Her father was looking at his chai cup. She could not read his face. She had been trying to read his face for thirty years and she had never fully managed it — he kept his reactions somewhere interior, processed them in a silence that had always seemed, to her, either like wisdom or like distance, and she had never been certain which.</p>
<hr>
<p>He was quiet for a long time.</p>
<p>Outside, the street was beginning its morning — the autorickshaw horn, someone calling for the doodhwala, the specific quality of Bhopal traffic at seven-thirty.</p>
<p>&ldquo;He has been waiting eleven years,&rdquo; her father said.</p>
<p>&ldquo;Yes.&rdquo;</p>
<p>&ldquo;And in eleven years — has he been good to you? When things were difficult.&rdquo;</p>
<p>She thought about this. She thought about the week she had lost her job in 2021, when Abhinav had taken two days off work and driven her around Bangalore to all the parks she liked because she couldn&rsquo;t sit inside. She thought about her grandfather&rsquo;s death and the train back to Bhopal and Abhinav at the Bhopal station, unexplained, with a bag of her favourite mithai from the shop near her college, saying nothing, just standing there. She thought about the small, undramatic constancy of eleven years.</p>
<p><img alt="Abhinav standing alone on a Bhopal railway platform at dusk — light blue shirt, white mithai bag in hand, watching the arriving train" loading="lazy" src="/images/romance/eleven-years/abhinav_bhopal_station.png">
<em>He showed up without being asked and didn&rsquo;t make it a thing</em></p>
<p>&ldquo;Yes,&rdquo; she said. &ldquo;When things were difficult, yes.&rdquo;</p>
<p>Her father nodded. A small nod. The kind that means the real thinking is still happening.</p>
<p>&ldquo;And you,&rdquo; he said. &ldquo;Are you good to him?&rdquo;</p>
<p>The question caught her. She had not expected it.</p>
<p>&ldquo;I try to be,&rdquo; she said. &ldquo;I have not always been fair to him.&rdquo;</p>
<p>Her father looked at her. Not unkindly. The look of a man who knows that fair is a harder word than it sounds.</p>
<p>&ldquo;Your mother will need time,&rdquo; he said. &ldquo;That is the truth. It will not be simple.&rdquo; He picked up his chai. &ldquo;But I have known you for thirty years. I know what kind of person you are. If you have chosen someone for eleven years — not in a month, not in a year, in eleven years — then I trust your judgement.&rdquo;</p>
<p>He paused.</p>
<p>&ldquo;Caste is people&rsquo;s fear of the unfamiliar dressed up as tradition,&rdquo; he said. &ldquo;I have thought about this for a long time. I don&rsquo;t want to be afraid of things that don&rsquo;t deserve my fear.&rdquo;</p>
<p>He said it simply. Not as a speech. As a man saying something he had already decided about himself.</p>
<p><img alt="Nandini with her hands flat on the table, looking directly at her father — the conversation finally happening" loading="lazy" src="/images/romance/eleven-years/nandini_tells_father.png">
<em>The conversation she had rehearsed a thousand times</em></p>
<hr>
<p>She called Abhinav from the terrace an hour later.</p>
<p>He picked up on the second ring, the way he always did.</p>
<p>&ldquo;How&rsquo;s home?&rdquo; he said.</p>
<p>She stood looking out at the Bhopal morning — the water tower in the distance, the neem trees on the road below going dusty in the April heat, a kite circling something invisible above the colony. She had stood on this terrace a hundred times. She had made a hundred calls from this terrace in eleven years and described it to him and he had listened and she had thought: someday I will bring you here, someday, not yet.</p>
<p>&ldquo;I told him,&rdquo; she said.</p>
<p>A silence on the line.</p>
<p>&ldquo;And?&rdquo; he said. His voice very still.</p>
<p>&ldquo;And he asked if you had been good to me when things were difficult.&rdquo;</p>
<p>She heard him exhale. Not dramatically — the specific, quiet exhale of a man who has been holding something for a very long time.</p>
<p>&ldquo;What did you tell him?&rdquo; he said.</p>
<p>&ldquo;I told him yes.&rdquo; She paused. &ldquo;He also asked if I had been good to you. I told him I hadn&rsquo;t always been fair.&rdquo;</p>
<p>Abhinav was quiet for a moment.</p>
<p>&ldquo;Nandu,&rdquo; he said. His name for her. The one from the second year of engineering, from the two of them at a chai stall at nine PM with Signals and Systems notes between them, from a hundred unremarkable hours that had added up, without announcement, to a life.</p>
<p>&ldquo;Don&rsquo;t cry,&rdquo; she said.</p>
<p>&ldquo;I&rsquo;m not crying,&rdquo; he said.</p>
<p>She looked at the kite above the colony, circling.</p>
<p>&ldquo;He wants to meet you,&rdquo; she said. &ldquo;When you&rsquo;re ready.&rdquo;</p>
<p>Another silence. Shorter this time.</p>
<p>&ldquo;I can come next weekend,&rdquo; he said.</p>
<p><img alt="A young woman on a Bhopal rooftop terrace, phone to her ear, looking out over the city — water tower, neem trees, pale morning sky" loading="lazy" src="/images/romance/eleven-years/terrace_phone_call.png">
<em>One person and an open sky and a phone call that changed something</em></p>
<hr>
<p>She went back inside. Her father was at the kitchen counter, making a second round of chai, the same way he always made it. Her mother would be up soon. That conversation would be its own thing — harder, slower, requiring more time, as her father had said. She knew this. She was not under any illusion that everything was resolved.</p>
<p>But something had shifted. Not everything. Just the weight of the thing she had been carrying.</p>
<p>She sat back down at the dining table. Her father brought two cups and set one in front of her without comment.</p>
<p>She took a sip.</p>
<p>She still couldn&rsquo;t identify what it was that made his chai taste different. She had been trying to figure it out for thirty years. She did not think she was going to solve it today.</p>
<p>Some things you just accept.</p>
]]></content:encoded></item><item><title>Echoes of the Past: the Goat and Hidden Secrets</title><link>https://nobakwas.com/posts/drama/echoes-of-the-past/</link><pubDate>Sun, 14 Sep 2025 14:03:28 +0530</pubDate><guid>https://nobakwas.com/posts/drama/echoes-of-the-past/</guid><description>Saket built his whole life on the night he ran away from his village. Twenty-three years later, an old friend knocked on his door with the truth about why he was allowed to run.</description><content:encoded><![CDATA[<p>The tea had gone a little cold before Saket finally started talking.</p>
<p>He had been quiet for a while — the particular kind of quiet that his wife Arti recognised, the kind that meant something was sitting just below the surface, deciding whether to come up. Mia was on the floor with her drawing book, not really drawing, just waiting. She was ten and she had learned that when her father got this look, the story that followed was usually worth waiting for.</p>
<p>&ldquo;When I was twenty-two,&rdquo; Saket said, &ldquo;I did something that could have ended everything before it started.&rdquo;</p>
<p>Mia set down her pencil.</p>
<p>Arti didn&rsquo;t say anything. She refilled her own cup and settled back.</p>
<hr>
<p>It had been the summer before the monsoon came late to Sapoinali — the year everything dried up early and the young men of the village had too much time and not enough sense. There were four of them, Saket and three others, and they had decided, in the specific way that hunger makes logic flexible, that what the occasion required was a feast.</p>
<p>The problem was money. There was none.</p>
<p>The solution they arrived at — and Saket was honest about the fact that it had been his idea — was Ramduaria&rsquo;s goat. Ramduaria kept the biggest goat in the village, a fat, bad-tempered animal that had always seemed vaguely smug about its own importance. In the logic of that particular night, borrowing it felt almost reasonable.</p>
<p>&ldquo;We waited until two in the morning,&rdquo; Saket said. &ldquo;Crept through the fields. No lights, no noise. We had actually got hold of it — rope around its neck — when it decided to make as much sound as it was physically capable of making.&rdquo;</p>
<p>Mia covered her mouth.</p>
<p>&ldquo;The whole village woke up.&rdquo;</p>
<p><img alt="A moonlit village path at night, narrow and flanked by trees" loading="lazy" src="/images/drama/thief_to_army_officer_1_20250914_13_pics_20250914_15/image1.jpg">
<em>The kind of night that seemed perfect for a plan — until it wasn&rsquo;t.</em></p>
<p>They had run. Not fast enough. By the time the panchayat assembled the next morning, Saket had been named as the one who thought of it, and the judgement was not generous — fifty lashes and a two-thousand-rupee fine, neither of which his family could absorb.</p>
<p>He sat through the first part of the proceedings with the calm of a man who has not yet decided what he is going to do. Then he asked, politely, if he could be excused for a minute. A bio break. He had been holding it.</p>
<p>They let him go.</p>
<p>He walked to the edge of the courtyard at a normal pace. Then he ran — through the mustard field behind the sarpanch&rsquo;s house, across the dry riverbed, up the slope to the main road. He didn&rsquo;t stop until he saw the headlights of a bus coming from the Patna direction, and he flagged it down with both arms and got on without knowing where it was going.</p>
<p>It was going to the city. That was enough.</p>
<p>He had fifty rupees. No plan. Six weeks later he was at an army recruitment office. Four months after that, he had cleared the selection.</p>
<p>&ldquo;Sapoinali,&rdquo; he said. &ldquo;I never went back.&rdquo;</p>
<p>Arti had heard parts of this before. Not the fifty lashes, not the exact arithmetic of the shame. She looked at him over her cup without saying anything.</p>
<p>&ldquo;The army fixed things,&rdquo; Saket said. &ldquo;Gave me something to be instead of someone running away.&rdquo;</p>
<p>Mia was about to ask something when there was a knock at the door.</p>
<p>Not a bell. A knock. Three slow, deliberate ones.</p>
<hr>
<p>The man in the corridor was older than Saket remembered, thinner, with the look of someone who had been travelling for several days without sleeping well through any of them.</p>
<p>But the face was unmistakable.</p>
<p>&ldquo;Devendra,&rdquo; Saket said.</p>
<p>Devendra stepped into the light. He glanced past Saket at Arti and Mia, then back. &ldquo;I&rsquo;ve been looking for you for a while,&rdquo; he said. &ldquo;There are things you don&rsquo;t know about that night. About what really happened.&rdquo; A pause. &ldquo;About Ramduaria.&rdquo;</p>
<p>Saket stepped aside to let him in.</p>
<hr>
<p><img alt="The entrance of an apartment in a Delhi residential building at night" loading="lazy" src="/images/drama/thief_to_army_officer_1_20250914_13_pics_20250914_15/image2.jpg">
<em>Some doors you open not knowing what side of the past is standing on the other side.</em></p>
<p>They sat at the dining table — Saket, Arti, Devendra — while Mia drifted off to sleep on the sofa under a thin cotton sheet. Fresh tea. The clock on the wall marking a quarter past ten.</p>
<p>Devendra wrapped his hands around his cup and started at the beginning.</p>
<p>&ldquo;You thought the whole village chased you that night,&rdquo; he said. &ldquo;They did. But Ramduaria didn&rsquo;t.&rdquo;</p>
<p>Saket looked up.</p>
<p>&ldquo;He woke up, same as everyone. Came out to see what the noise was. Saw you and the others running across his field with the rope still trailing.&rdquo; Devendra paused. &ldquo;And then he went back inside and bolted his door.&rdquo;</p>
<p>Saket set down his cup.</p>
<p>&ldquo;He never joined the chase. Never filed anything with the panchayat himself — they called him to give testimony and he said he hadn&rsquo;t seen clearly in the dark, that he couldn&rsquo;t be sure who it was. It was the others who named you, not him.&rdquo;</p>
<p>The room was quiet. Outside, a dog was barking somewhere down the lane, insistent and then gone.</p>
<p>&ldquo;Why?&rdquo; Saket said finally.</p>
<p>Devendra leaned back. &ldquo;He knew your father. Before your father died — you were maybe fourteen, fifteen — your father had lent Ramduaria money. A real amount. Enough to keep his family through a bad season when the crops failed two years running. He never told anyone. Your father didn&rsquo;t want it known. And Ramduaria never forgot it.&rdquo;</p>
<p>Saket had no memory of this. His father had died when he was sixteen, and the family finances had always been a closed subject.</p>
<p>&ldquo;He watched you grow up,&rdquo; Devendra said. &ldquo;He knew you were the one who led that night. He also knew you had your degree, no job, no future in the village. He used to say — I heard him say it myself more than once — <em>that boy needs a reason to leave, not a reason to stay.</em>&rdquo;</p>
<p>Arti made a small sound. Not quite a word.</p>
<p>&ldquo;So he gave you one,&rdquo; Devendra said. &ldquo;He let the panchayat go far enough to scare you properly. Then he made sure there was a gap in the courtyard at the right moment. The man assigned to stand near the back boundary that morning — Ramduaria&rsquo;s nephew. He was told to look the other way.&rdquo;</p>
<p>Saket stared at the table.</p>
<p>Twenty-three years. The army. The postings — Sikkim, Rajasthan, the long Kashmir winter of 2009. Arti. Mia. This flat in Delhi with its marigolds in the window box. He had carried the story of his escape as one carries a private shame — the time he panicked, the time he ran instead of facing what he had done. It had become, quietly, the foundation of everything — the reason he had always worked harder than necessary, always needed to prove that the man who jumped on that bus was not the whole story.</p>
<p>He had been running from the wrong thing for twenty-three years.</p>
<p>&ldquo;Ramduaria,&rdquo; Saket said. &ldquo;Is he—&rdquo;</p>
<p>&ldquo;He died two years ago,&rdquo; Devendra said. &ldquo;Peacefully. His son found a letter in his things after. Addressed to you, but no address — he didn&rsquo;t know where you were. His son asked me to find you if I could.&rdquo; He reached into the inside pocket of his jacket and put an envelope on the table between them.</p>
<p>It was a plain brown envelope, the kind you could buy at any post office. Saket&rsquo;s name was written on the front in a hand that was careful and slightly crooked, the letters of a man who had learned to write later in life.</p>
<p>Saket looked at it for a long moment.</p>
<p>Then he picked it up, turned it over, and opened it.</p>
<hr>
<p>The letter was two pages, written in Hindi, in the same careful hand.</p>
<p>It began: <em>Beta Saket — I don&rsquo;t know if this will ever reach you. But some things need to be said even when there is no one certain to hear them.</em></p>
<p>Saket read it slowly. Arti did not ask what it said. Devendra had already seen it — he was looking at the window.</p>
<p>The letter described his father, mostly. The kind of man he was. The season the rain failed. How the money had come without conditions and without any expectation of return, wrapped in an old cloth and left at the door before sunrise. <em>Your father said — you do not lend to your neighbour. You give. You just call it a loan so they can keep their pride.</em></p>
<p>The last paragraph was short.</p>
<p><em>I hope the city gave you what the village couldn&rsquo;t. I hope you built something. You had your father&rsquo;s quality — you just needed space to use it. I am sorry the goat was involved. He was a difficult animal and I was not unhappy to have a reason to be rid of him for one evening.</em></p>
<p>Below the signature, in the margin, as if added later: <em>Do not feel guilty about running. Sometimes running in the right direction is the bravest thing.</em></p>
<hr>
<p>Saket folded the letter and held it in both hands.</p>
<p>Mia was asleep on the sofa. The clock said ten forty. Somewhere down the street the night had gone quiet.</p>
<p>&ldquo;He sold the goat a month after,&rdquo; Devendra said, with something close to a smile. &ldquo;Said it was bad luck.&rdquo;</p>
<p>Saket laughed — a short, surprised sound, the kind that comes out before you decide whether to allow it.</p>
<p>Arti reached across the table and put her hand over his.</p>
<p>He had spent twenty-three years believing he had escaped by his own nerve. It was a good story. It had kept him moving, kept him proving things to himself at every posting, every promotion, every 5 AM run when he didn&rsquo;t have to.</p>
<p>The real story was different. The real story was a man who had decided quietly, in the middle of the night, that a boy with potential was worth more than a goat and a fine and an old debt settled in shame.</p>
<p>He thought about that for a while.</p>
<p>Then he got up to make fresh tea, and asked Devendra if he had somewhere to sleep, because the spare room was small but the mattress was decent, and there was no reason the man needed to take a train back tonight.</p>
<p>Devendra said that would be fine.</p>
<p>It was past eleven when they finally stopped talking. Outside, the city continued its indifferent business, and inside the small flat in Delhi, something that had been unfinished for twenty-three years quietly settled into place.</p>
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